Friday, May 26, 2017

Doug Dawson Plein Air Workshop in Sedona October 2017


I feel like I toot my own horn sometimes a little too much here.  So, I'll take this opportunity to talk about an upcoming workshop that isn't mine.  I'm proud to announce that Master Artist Doug Dawson will be teaching a plein air painting workshop October 30-November 3, 2017, in Sedona, Arizona.  As the sponsor of this event, I want to get the word out now, because Doug is a popular teacher, and the workshop will fill quickly.  If you're interested, don't delay!

The workshop will be based at the same studio I've used for my PaintSedona workshops, which also offers lodging ($60/night) and is close to many of our painting spots.  The cost of the workshop is $625 (not including lodging).  To register, contact Doug Dawson directly at 303-421-4584 or dougdawson8@aol.com.  For lodging, contact me, and I'll put you in touch with the studio.

I've known Doug for many years, and I've sponsored several workshops with him.  Doug, who was given the title of Master Pastelist by the Pastel Society of America in 1985 and inducted into the Masters' Circle by the International Association of Pastel Societies in 2005, shares so much during a workshop.  Everyone gets a great deal out of the week, and he often has repeat students coming back for more.

You can find out more about Doug at his website, which is www.DougDawsonArtist.com.  I've included a couple of videos here.  The first (at the top) is an interview with Doug.  The second (below) is a video I put together to advertise a workshop with him in Maine and New Brunswick.  Although it's not Sedona, it'll still give you an idea of the workshop week.






Wednesday, May 17, 2017

My Inventory System for Paintings

Lifting Fog at Dawn
11x14 Oil by Michael Chesley Johnson
Available!

A reader asks, "How is it that you track and label all of your works?"  This is a great question, because keeping accurate inventory records is crucial for a professional artist.  What's the exhibition history of a piece?   What gallery was it in?  Who bought that painting? What did it sell for?  If I need to reshoot an image for publication, do I know its current location?  Having this information at your fingertips can make your job a lot easier.

Screenshot of my inventory system record form

I've been using the same inventory system for over 15 years.  I crafted what one might call an "artisanal" database—read "homemade, with many tweaks"—in Microsoft Access.  When Access became too expensive, I migrated my database over to Open Office, which is free.  Although not every painting, sketch or scrawl gets inventoried, anything I think worth keeping or selling does.  If I destroy a piece, I make sure I note that in the database, too.   That will save me time hunting for a painting that no longer exists.

Back of the above painting showing my labeling

Also important is the labeling of the artwork.  On the back of each painting, I make sure to write:

  • Inventory number
  • Date created (this can be as vague as a month and year)
  • "EPA", if the work was created en plein air
  • My signature
  • My name, printed
  • The month and year the piece was varnished plus the brand and type of varnish (this will help conservators down the road who may need to clean the work)

and sometimes, if I am experimenting with grounds or surfaces, I will write down what products I used such as Gamblin PVA size and Golden acrylic gesso.

Screenshot of my Picasa interface

As for images, I make sure to get a high-resolution (300 dpi, and at least 8x10 inches) TIFF file.  The filename contains the title of the piece plus the inventory number.  This gets indexed on my computer by Google's Picasa (a wonderful program, but alas no longer supported by Google.)  Naming the file this way makes it easy to find if I need to create an inventory sheet for a gallery or exhibition.

I know there are other systems, some professionally created—"by artists, for artists"—but the record-keeping doesn't need to be complicated or have lot of bells and whistles.  Simple is best!

Saturday, May 13, 2017

On the Road: New York Plein Air Painting Workshop

Painting along the Wallkill River

Some time ago, when I was looking for new places to teach workshops, I came across the Wallkill River School in Montgomery, New York.  What I liked about it was their mission:

Wallkill River School has been called Orange County’s first homegrown arts movement; mainly because we are the first arts organization with an agricultural component. We identified early on that our fate is intimately tied to our local farms, historic sites, and open spaces. Like our forebears; the Hudson River School, we seek to use our art as a way to raise awareness of and to benefit these important regional treasures. Arts generate tourism, and Wallkill River School generates agricultural tourism, heritage tourism, and brings in new arts audiences. 

This very much parallels my idea that landscape painters are stewards of the land.  So I was very excited when Shawn Dell Joyce, founder and executive director, invited me to teach a two-day workshop there.

My pastel of the Benedict Farm, 9x12

Though cool, the weather couldn't have been any better.  We painted one day at the Benedict Farm Park along the banks of the Wallkill River; the second day, at the Hill-Hold Museum, with its beautiful buildings and landscape.   Each morning, though, we started out at the School's wonderful Patchett House gallery and office, with art talk and critiques.  Shawn provided beverages and snacks each day as well as a bountiful lunch.



(Above photos by Shawn)


 I so much enjoyed the workshop here that I have scheduled another one for this fall, September 26 & 27, 2017.  Speaking of workshops, I want to remind you of my upcoming five-day plein air painting workshop in Rockland, Maine, for Coastal Maine Art Workshops.  Rockland has a beautiful waterfront, offering much for the painter.  If that doesn't work for you, please keep in mind my four-day workshops in Lubec, Maine.  If you bring your passport, I'll be happy to show you my studio on Campobello Island, right across the bridge!



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